The hum sound could also be caused by the AC current used for the tube heaters. Some owners have eliminated the hum by hooking up tube heater pins 4 and 5 and the step down resistor directly to the power transformer output, so it is off the main circuit board. Several websites have details on how to do this.

Output Impedance - There is also a signal impedance issue with Tube Drivers and Real Tube pedals (not so with the USA made Tube King). As a general rule for a pedal board signal chain, you want a low impedance output connected to a high impedance input on each pedal to allow the widest spectrum of audio bandwidth to pass through the chain in order to keep your signal from degrading. The Tube Driver has a buffered, high impedance input, but no output buffer. The passive tone circuit hangs a high impedance signal on the output, so changes in loading and capacitance from long cables or other pedals in the signal chain can result in a loss of bandwidth, altering the tone in a negative way. High volume settings can place a load on the Hi and Lo controls, so different volume levels can affect the output sound differently. With improper impedance, some users find that turning the treble up can result in a loss of bass. Not everyone encounters this, and it will vary depending on the Tube Driver settings, tube used, and the load from the other pedals your signal chain.

You can check if there is a tone difference by comparing the sound when playing the TD in your pedal board (with all other effects switched off) to playing with just the guitar into the TD, directly to the amp. You can also hear this by taking two identical Tube Drivers, plugged in back-to-back, directly to the amp. Turn one on and play it at high drive and volume, then swap places keeping the same one switched on, and you can hear how the high impedance output from one changes the sound when going into the other.

So how does one balance the Tube Driver impedance in the signal chain? Placing a buffered pedal or buffer/line driver with an input impedance around 1MΩ immediately after the TD, or non buffered pedal with a similar high impedance input, can help the issue, as can simply placing the Tube Driver in a buffered bypass loop that includes an output buffer. Using a lower gain tube like a 12AU7 can also help reduce the output impedance of the Tube Driver.

How Impedance Works - There is a good article on impedance over on the AMZ website. Here is a simplified explanation. Guitar pickups output a small alternating current (AC) signal that varies from around 10KΩ to 50KΩ, depending on pickups, volume, playing, et cetera. The guitar's output impedance goes higher at high frequencies and lower at low frequencies. A circuit's input impedance is the resistance to that AC signal. It sounds backwards, but we actually want a high resistance, or high impedance, on the input receiving that weak signal. A low resistance will lose power in the pedal circuit, making that signal weaker, so less of it gets to the amplifier. That is what is meant by 'loading' the signal. Signal loss means some of the audio frequencies of your tone are lost.
On the other end of the pedal is the output impedance, or the resistance to the AC current leaving the pedal. High output means LESS signal current gets to the output jack, so some audio frequencies are lost. Lower output impedance is better, because MORE of the signal voltage gets pushed through to the amp or next pedal circuit, so more of your audio frequencies are retained.
A good rule of thumb for a well balanced pedal board chain is to have the input impedance of each pedal be about 10x larger than the output impedance of the pedal before it. A typical well designed pedal circuit will have an input impedance of 500KΩ - 1MΩ and an output impedance of 1KΩ - 10KΩ. Ibanez/Maxon pedals and some older Boss pedals have an output impedance of 10KΩ. A typical modern Boss pedal, for example, is 1MΩ in, 1KΩ out. The Tube Driver also has 1MΩ input buffer, but no output buffer. Specs for the Tube Driver show a 'typical' output impedance of 10KΩ with a moderate drive setting, which is high, but it changes depending on the knob settings and can be much higher - as high high as 90kΩ with high drive and volume settings. That means the input of the pedal or buffered circuit following the TD should be around 900kΩ or higher. A typical input buffer on a Boss has a 1MΩ input impedance, and 1MΩ=1000KΩ, so that type of buffer is a good match to follow the TD. However, some pedals, including older Boss, Electro-Harmonix, and Ibanez pedals, have a low input impedance of 500KΩ or less, which means a loss of some of your TD signal and alteration of the tone if one of those directly follows your Tube Driver in the signal chain.

Faulty Footswitch - Another issue is that the foot switches BKB used in the 2007/2008, and some earlier Tube Drivers, were unreliable. The switches in my 2007 and 2008 TDs broke within a year of use and had to be replaced. I don't know if Butler has since changed to a better switch, but he was aware of the problem and was offering replacements at the time - unfortunately the replacements were the same brand of unreliable switch.

How to shorten address bar in chrome for mac 2017 torrent. Aug 02, 2018  From elerina's link above, I've learned that if I hover over the right-hand edge of the address bar, a double arrow pops up and I can drag it to the right to hide extension icons, or drag it to the left to show any icons I've hidden. As you add extensions, the address bar will either shorten itself, or you can hover then drag it to make room. By the look of it, it will only shorten if there. May 19, 2020  Original Title: Address Bar My address bar got stretched across the entire screen, I cannot figure out how to shorten it. Any suggestions would be appreciated. May 20, 2011  To access the Address Bar simply click on the tab. Keep in mind that the Address Bar will auto-hide rather quickly if you do not make use of it soon enough. Hiding the Address Bar and Bookmarks Bar will really minimize the top UI section of the browser (see first screenshot above).
BK BUTLER and BUTLER AUDIO: A Brief History
BK Butler has been designing and building vacuum tube related musicalproducts for over 25 years. Professional celebrity users include Billy Gibbons(ZZ Top), David Gilmour (Pink Floyd), Eric Clapton,
Elton John, Eric Johnson and hundreds more. BK's designs and products have satisfied the most critical professional clients.
With this vast experience and background in what sounds 'right', BK knew it was possible to bring all the excitement of the 'live stage' and the superior qualities of 'recording studio sound' to the consumer audio market. Virtually all recording artists and sound engineers recognize the inherent superiority of vacuum tube equipment for recording, live sound reinforcement and musical production.
The introduction of the original Tube Driver 1500 in 1996 began a new era oftube-driven amplification for cars. Shortly after the first production modelswere shipped, a group of veteran mobile sound professionals from RockfordFosgate, PPI and others, joined to form a new company named Phaze Audio. Atthis time, Butler Audio was approached with the idea that it would produce theTubeDriver amplifiers and Phaze Audio would market and sell them. Butler Audioinitially granted Phaze Audio an exclusive license for marketing anddistribution of the Butler Audio line of TubeDriver amplifiers. In the latefall of 1997, Phaze Audio was also granted a manufacturing license to produceTubeDriver amplifiers.
In 1998, Phaze Audio saw a great opportunity for accelerated marketexpansion and purchased Precision Power, Inc. (PPI). After the acquisition,Phaze Audio/PPI decided to re-design the original Butler Audio TubeDriveramplifiers. In 1999, PPI came out with a line of amplifiers with tubes bearingthe trademark 'TubeDriver'; however, they are not BK Butler/Butler Audio designs and do not share in his original patented technology.
Phaze Audio/PPI was purchased in late 1999, temporarly ending all further TubeDriver brand production and sales. Shortly after this, in early 2000, BK Butlerreclaimed all of his rights pertaining to TubeDriver. With a clean slate, BK Butlerbegan an all-new design that would ultimately incorporate his newly discovered Tube Driver BLUEthermionic technology. Often working 18-hour days in his personal lab, it's estimated that no fewer than 100 different prototype versions of this new technology were rigorously investigated and thoroughly tested.
In the late summer of 2000, all these efforts finally paid off. Anopen-ended (ZERO negative feedback), 6SL7GT twin-triode tube-driven design operating in a near plate-saturated mode continuously, a totally unique load-mirroring circuit and employing no output transformers! This new design not only exceeded the superior sonic characteristics of the original TubeDriver 1500, butactually rivaled Butler Audio's laboratory 'all tube' reference amps of the time! After many enhancements of the basic discovery were implemented, BK Butler was finally satisfied and designated the now patented circuitry as 'Tube Driver BLUE'.
In late 2001, with the successful launch of the Tube Driver BLUE caramplifiers behind him, BK Butler decided to unleash a whole new generation ofamplifiers that would bring the 'live stage' and 'recording studio sound' to the Home Theater environment.After receiving an enthusiastic response at the 2002 CES to the firstprototype home amplifiers incorporating the now patented Tube Driver BLUEtechnology, Butler Audio introduced the Tube Driver BLUE series of Home Theater amplifiers.
Now, in mid-2005, BK Butler is about to unveil the ultimate home audioamplifier. Dubbed MONAD A100, this incredible new technology will incorporate the now patented Tube Driver BLUE technology into a unique, single-ended Class-A audiophile-level monoblock design, housed in a collector-quality chassis and designed exclusively for the true audio connoisseur.
Bk Butler Tube Works Tube Drivers For Mac
Get ready to be surprised again..

Four versions of the Car Audio line are currently available:
TDB275, TDB2150, TDB475 and TDB575
Three versions of the Home Audio line are currently available:
TDB2250, TDB3150 and TDB5150
Upcoming is the incomparable new MONAD line, starting with the unparalleled MONAD A100 pure Class-A amplifier

Stay tuned for this and other revolutionary designs from BK Butler's lab.

'Sincere thanks to all the Tube Driver BLUE enthusiasts! I hope you will take advantage of the amazing performance level this new technology offers, whether for your car or home.'- BK Butler